Mount

Covers Full-Frame Sensor Size
Canon EF mount
Focus Marks in Feet
T1.5 to T16 Aperture Range
Mount Transmits Lens Data
Geared Focus and Iris Control Rings
Clickless Iris Ring
Suitable for 8K Image Capture
95mm Front Diameter
9-Blade Iris

128GB Storage Capacity
UHS-I / V30 / U3 / Class 10
Max Read Speed: 200 MB/s
Max Write Speed: 90 MB/s
Min Write Speed: 30 MB/s
Records Full HD, 3D, and 4K Video
Built-In Write-Protect Switch

Size / Filter Thread

Provides 2 to 8 Stops of Light Control
Rotating Ring to Choose Degree of ND
Eliminates Buying Many ND Filters
Use to Create Blurs/Special Effects
Use with Film or Digital
Wide Outer Ring Reduces Vignetting
Black Aluminum Filter Ring
ColorCore Glass
Made in the USA

Power

- 4K Full-Frame 10.2MP CMOS Exmor R Sensor
- DCI 4K60p | UHD 4K120 | 1080p240
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Compact Form Weighs Just <2 lb
- Phase Detection AF/Face Tracking/Eye AF
- Base 800-12,800 ISO / 320-409,600 Max
- S-Cinetone, S-Log3, HLG Modes
- 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
- Dual CFexpress Type A/SDXC Card Slots

Covers Full-Frame Sensors
16-Blade Iris, T2.8-22 Aperture
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

21mm Lens Covers Full-Frame Sensors
16-Blade Iris, 80mm Front Diameter
PL Mount and EF Mount Included
Cinema Gearing for Focus and Iris
270° Focus Rotation
Magnetic Rear Clear/ND Filter

25mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

75mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter

Detachable Base
Twist-and-Release Locking Legs
40" Riser
22 lb Load Capacity
40" Grip Arm with Attached 2.5" Head
2.5" Grip Head
5/8" Top Stud

Chrome-plated Steel Construction
Leveling Leg
1 Cranking Riser
5/8" Stud and 1 1/8" Receiver

Steel Construction
83" Maximum Extension
Rubber Handle
Counterweight Hook
5/8" Stud and Receiver

Convertible to Boom
4 Sections, 3 Risers
Leveling Leg
7' Max. Boom Extension
Empty Counterweight Bag

Chrome-plated Steel and Aluminum Alloy
One Riser
5/8" Top Stud
33 lb / 15 kg  Load Capacity

Load Capacity: 88.18 lb / 40 kg
Max Height: 137.8"
Min. Height: 66.14"
Folded Length: 55.9"
Weight: 25.35 lb
2 Risers
Mount: 5/8" Male and 1-1/8" Female

Black Steel Construction
40" Main Section, 2 Risers
Fixed Column to Base
40" Arm, 2.5" Grip Head

2' Length
T12 Compatible
Color Temperature: 2700-12,000K
CRI/TLCI: 98/95, 
Dimmable
RGB Mode w/ Hue and Saturation Control
Built-In Rechargeable Li-Ion Battery
Runtime: 96 Minutes at Full Power
DMX Compatible, 18 Special FX

Ability to open wide and hold a lot. 
It works on pipe diameters of 0.59 -3.1 inches. 
Locking screw as well as 16 and 17 mm studs.

Aluminum Alloy Construction
Five Tubes Per Side

Aluminum Alloy and Steel Construction
66 lb (30 kg) Capacity

Cordura Nylon
Rugged and Durable Assembly
Double-Zipper Design
Water and Weather Resistant

Panel Surface Area: 25.4 x 11.8"
115° Beam Spread, Rail Mount Adapter
Color Temperature from 2800-10,000K
Full Gamut Color Mixing
Hue and Saturation Control
Full Minus to Full Plusgreen
CRI: 95, TLCI: 90
0-100% Dimming, DMX Control
Multi-Voltage AC, Optional Battery Power

Color Temp: 2700 to 6500K
 CRI/TLCI: 96
Wireless DMX, Bluetooth Control
Multi-Voltage Power, Optional Batteries
4 Dimming Modes
 Wireless Remote
9 Built-In Lighting Effects

Accessories

Beam Angle: 105°
Color Temperature: 2700-6500K
CRI: 96, TLCI: 96, CQS: 95
DMX, Bluetooth, 2.4 GHz Wireless Remote
0-100% Dimming
Flicker Free
Bowens-S Type Reflector Mount
Multi-Voltage AC, Optional Battery Power

5/8″ Receiver.
2700K-6500K Color Temperature.
0 to 100% Dimming.
Onboard DMX.
CRI/TLCI: 96/98.
Weighs 3.63 kg.
110-240 VAC Power.
Optional V-Mount Battery Power

Location Recording and Filmmaking
32-Bit Float Recording Avoids Clipping
8 x High-Gain, Low-Noise Mic Preamps
Records 8 Inputs & Stereo Mix
Ambisonics, WAV & MP3 Audio Formats
Supports Control via App or F-Control
Flexible Powering Options
Dual SD Card / USB Interface Recording
AutoMix Software Reduces Mix Noise
Precision Time Code Reader/Generator

Wireless Plug-in & Lavalier Microphone Package
UTX-P1 Plug-in Transmitter
UTX-B2 Bodypack Transmitter
Lavalier Microphone
URX-P2 Portable Receiver
Selectable Mic/Line Input
Robust Metal Chassis

Moisture-Resistant for Humid Conditions
Phantom Powered
Simple Operation with No Controls
Transparent Tone with Tight Low End
Ultralow-Noise Circuitry
Ultrahigh Sensitivity Needs Less Gain
Slight Presence Boost & Bass Attenuation
Includes Furry Windshield & Pistol Grip
Compact, Ultralightweight Housing

Measures 10' (3m)
Five Collapsing Sections
Fits NTG1, NTG2 & Video Mic
3/8" Threaded Stud

VEST WEIGHT: 6.9 lbs (3.1 kg)
Increased Comfort Due to Improved Load Distribution
Conforms Anatomically to Its Operator
Greater Choice of Hip and/or Shoulder Load Distribution
Revolutionary Latching System 

WEIGHT:  1.2 lbs (540 g)
SIZE: 5.1"(13cm)x4.7"(12cm)x1.4" (3.5cm)
"Ouick-Lock" Camera Mounting Platform
Absolute Vibration-Free
Fine Adjustment in Two Axis (Self-Retaining)
Comes With A Universal Dovetail Plate
Integrated Bubble Level

Power mount

Modular, Mechanical Camera Stabilizer
Supports up to 110 lb Payload
Hot Swap V-Mount Battery Capability
2 x HD-SDI & 1 x SD-SDI Video Out
17 to 28" Telescoping Center Post
8" Camera Dovetail Plate
12/24V High-Capacity Wiring
Fine-Trim Mechanism
Tool-Free Adjustments
Tally Support, Top-Mounted Voltmeter

High Precision Assembly
Designed Specifically For PRO By Kaydon

Solid Two-Piece Construction
Tool-Less Clamping System 
Increased Stiffness Throughout Extension
Mechanically Indexed Sections
COLLAPSED LENGTH :  17.375 inches  (44.1325 cm)
EXTENDED LENGTH: 27.625 inches (70.1675 cm)

​

Full Sun or Interior Shooting @ 2000 nits
6G/UHD/3G/HD/SD - SDI LCD 
Features Added Regularly
1 Frame Delay or Less
User-Friendly Interface & Direct Access Keys
​

Black Aluminum Alloy Construction
Leveling Leg
Three Risers
5/8" Top Stud

Load Capacity: 33 lb
Aluminum Construction
Jaw Range: 0.51 to 2.17"
1/4"-20 Female Thread, 5/8" Socket

Aluminum Alloy Construction
Load Capacity: 1,102 lb / 500 kg

Aluminum Alloy Construction
Three Tubes Per Side
Pin Tube Connection
Ear Type 2 Frame Support

Add-ons

- Vario 5 Body-Worn Support System
- Gimbal Rig Vest
- 5" Extended Arm
- FLOWCINE Serene Spring Arm
- 11 (5kg) to 38 (17kg) lb Payload
- Takes Weight Off Back, Neck & Shoulders
- Stabilizes Shots
- Reduced Arm Fatigue
- Includes Carrying Bag

- Single-Axis Focus/Iris/Zoom Control
- Requires Use of WCU-4 Wireless Control
- Enables Operator to Assume Lens Control
- Returns Control to Optional WCU-4
- EF Lens Control on ALEXA Mini & AMIRA
- Controls Roll Axis of Remote Head SRH-3
- 3 x Assignable User Buttons
- 3/8"-16 Mounting Thread
- Includes Dovetail Mounting Interface

Color: 2700-6500K
CRI/TLCI: 96/98
Built-In Rechargeable Battery
0-100% Dimming & RGB Control
Phone, DMX, 2.4 GHz Wireless Control
98-164' Wireless Range
32 Channels, 6 Groups

64GB Storage Capacity
UHS-I / V30 / U3 / Class 10
Max Read Speed: 200 MB/s
Max Write Speed: 90 MB/s
Min Write Speed: 30 MB/s
Records Full HD, 3D, and 4K Video
Built-In Write-Protect Switch

EF-Mount Lens/APS-C Format
28.8-56mm (35mm Equivalent)
Aperture Range: f/1.8 to f/16
Five SLD Elements
Four Aspherical Elements
Super Multi-Layer Coating
Hyper Sonic Motor AF System
Rounded 9-Blade Diaphragm

Super-35mm CMOS Sensor
4608 x 2592 Video up to 60p
Compressed Raw Recording
Ready-to-Edit ProRes 444 + 422 Recording
Dual CFast 2.0 Memory Card Slots
12G-SDI Output, Timecode & REF Input
1080p Flip-Out Screen
Touchscreen Interface
2 x XLR Audio Inputs with Phantom Power
Magnesium Alloy Body

The Canon CN-E 20mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.

The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

The Canon CN-E 24mm T1.5 L F Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.

The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.


35.4MP Full-Frame, Rolling Shutter CMOS
Lightweight & Compact DSMC3 Design
Canon RF Lens & CFexpress Type-B Support
Up to 8K120 17:9, 6K198 S35 & 4K240 17:9
17+ Stops of Dynamic Range
Right-Side Assistant's User Interface
REDCODE Raw HQ, MQ & LQ Options
USB-C & Dual 12G-SDI Ports
V-mount power

Introducing the amaran F22c, a high-output, full-colour flexible LED mat that offers superb performance and versatility for a variety of users — from filmmakers to videographers, content creators, and even photographers. 

With 200W of output power, this ultra-lightweight 2'x2' fixture is capable of outputting 6,420+ lux at 1 meter (5600K),surpassing anything else in its class. Install the included foldable softbox and instantly turn this flexible mat into an ultra-thin soft light that will make any subject shine with stellar CRI and TLCI scores of 95+and 97+. 

And with stepless dimming from 0 to 100%, you can achieve the perfect light level every time. The F22c features RGBWW LEDs for complete colour control, as well as tunable CCT from 2,500K to 7,500K, providing endless possibilities for creative lighting decisions through 360° HSI control, 46 colour gel presets, or even up to 15 unique lighting effects. Additionally, with the F22c’s Sidus Link app control, you can be sure to always dial in your lighting design.

20.3MP Digital Live MOS Sensor
Venus Engine Image Processor
4K Video with No Crop
Internal 4:2:2 10-Bit 4K Video at 24/30p
5-Axis Sensor Stabilization; Dual I.S. 2
0.76x 3.68m-Dot OLED Viewfinder
3.2" 1.62m-Dot Free-Angle Touchscreen
Advanced DFD AF System; 6K & 4K PHOTO
ISO 25600 and 12 fps Continuous Shooting
Dual UHS-II SD Slots; Wi-Fi & Bluetooth

Covers Full-Frame Format
T2.1 to T22 Aperture Range
Geared Focus and Iris Control Rings
Clickless Iris Ring
14-Blade Iris
Classic Zeiss Image Rendering
Improved Ergonomics Over Last-Gen CP.2
New Lens Coatings for Enhanced Contrast

For Content Creators and Vloggers
Output: 26,380 Lux at 3.3' w/ Reflector
5600K CCT
AC Power
Onboard, Wireless & App Control
CRI 96 | TLCI 98
Fan Cooled
Bowens S Accessory Mount
Wireless with Optional Remote Control
Includes Reflector & Power Cord

- 12MP Full-Frame Exmor R BSI CMOS Sensor
- UHD 4K 120p Video, 10-Bit 4:2:2 Internal
- 16-Bit Raw Output, HLG & S-Cinetone
- 759-Point Fast Hybrid AF
- 9.44m-Dot QXGA OLED EVF
- 3.0" 1.44m-Dot Vari-Angle Touchscreen
- 5-Axis SteadyShot Image Stabilization
- Extended ISO 40-409600, 10 fps Shooting
- Dual CFexpress Type A/SD Card Slots

- Support for Small Video Cameras
- 4.4/2 to 15.4/7 lb/kg Payload Range
- Lockable Camera Hook with Spring
- Redistributes Camera Weight
- Relieves Strain from Your Arms
- Helps Get Steady Shots
- Height-Adjustable Support Bar
- Smooth Support Rope Movement
- Pivoting Upper Arm
- 2 x 1/4"-20 and 2 x 3/8"-16 Ball Studs

1000W Tungsten fresnel light from Arri. Studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lamp heads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.

128GB Storage Capacity
UHS-II / V90 / U3 / Class 10
Maximum Read Speed: 300 MB/s
Maximum Write Speed: 260 MB/s
Minimum Write Speed: 90 MB/s
Records 8K, 4K, and Full HD Video
Capture Raw Photos and High-Speed Bursts
Shock, Temperature, X-Ray & Waterproof
Built-In Write-Protect Switch

40.7" RGB Tube
Variable White Light: 1750 to 20,000K
CRI/TLCI Ratings: 96/96
RGB, Mint, Amber, HSI Color Control
Built-In Rechargeable Li-Ion Battery

2-Input / 2-Track Portable Handy Recorder 
Onboard X/Y Microphone 
Onboard Stereo Mic, Built-In Speaker
3.5mm Mic/Line Input with Plug-In Power
Simple Layout of Common Controls
Records in WAV up to 96 kHz
3.5mm Line/Headphone Output
Auto-Record & Pre-Record Functions
Battery Life up to 10 Hours
Supports microSDHC Cards up to 32GB
Auto-Level, Limiter & Low-Cut Filter

- Large-Format 4448 x 3096 Sensor
- Native 4K Recording in ARRIRAW & ProRes
- Large-Format Optimized LPL Lens Mount
- Open Gate, 16:9 & 2.39:1 Anamorphic Mode
- Native 800 ASA, 14+ Stops Dynamic Range
- Array of ARRIRAW & ProRes Capture Modes
- Works with Most ALEXA Mini Components
- Internal FSND 0.6, 1.2 & 1.8
- PL-to-LPL Adapter Included

For Atlas Orion PL Anamorphic Lenses
PL Lens to PL-Mount Camera
Increases Coverage to Large Format
Increases Focal Length by 1.6x
1.3-Stop Light Loss
Rear Element Clearance Gauge

Aluminum Alloy Construction
Hinged Connection Points
Folds with Fabric Attached

Aluminum Alloy Construction
Weight capacity: 551 lb

160GB Storage Capacity
PCIe 3.0 Bus
Max Read Speed: 800 MB/s
Max Write Speed: 700 MB/s
Shock / UV Light / X-Ray Proof

Film/Video Light & Battery Grip
Output: 12,810 Lux at 3.3' w/ Reflector
1800-20,000K; Full RGB Color Control
AC or Battery Power
Onboard, Wireless, DMX & App Control
CRI 96 | TLCI 95
Fan Cooled
FM Mount
15 Preset Special Effects
Includes Bowens Adapter, Reflector & Bag

- Exchangeable Radio Module
- For Hi-5 Hand Unit & RIA-1 Adapter
- Point-to-Multipoint Communication
- 2400 MHz Frequency, 14 x Channels
- Direct-Sequence Spread Spectrum (DSSS)
- Backwards Compatible with EMIP Devices

22.7" RGB Tube
Variable White Light: 1750 to 20,000K
CRI/TLCI Ratings: 96/96
RGB, Mint, Amber, HSI Color Control

150W Tungsten fresnel light from Arri. Studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology.

- Controls Up to 3 x Lens Motors
- For ARRI & 3rd-Party Cameras
- Records Lens Data with Timecode
- Wireless Lens-File Transfer
- Full AMIRA/ALEXA Playback Control
- Select User Setups from AMIRA/ALEXA
- PLAY/ERASE Display from AMIRA/ALEXA
- Set/Show Gear-Teeth Count Mode
- Use with CLM-3/4/5 Motors
- Controls Focus / Iris / Zoom Functions

- Wireless Handheld FIZ Controller
- 3-Axis FIZ Control
- Optional 4th Axis on Thumbwheel
- 1.22" LCD Touchscreen Display
- 1 x Blank Marking Disk
- 1 x Swivel Antenna
- Red-Coded Radio Modules

Covers Super 35mm Sensors
28.4mm Image Circle
Internal Focus Design
180° Focus Barrel Rotation
T2 Max Aperture, Clickless 9-Bladed Iris
Weighs 3.19 Pounds
95mm Front Lens Diameter
Removable Lens Support Foot


4000w HMI fresnel light by ARRi. Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.

- 32-Sided Design for Circular Reflections
- 2 Front Diffusers: 1.5 and 2.5 Stops
- Removable Inner Diffuser
- 40° Fabric Grid
- Widely Compatible Bowens Speed Ring
- Carrying Bag
- 31.5" Depth for Focused Output
- Natural-Looking Catchlights

Film/Video Light & Carry Bag
Output: 124,000 Lux with Reflector
5600K CCT
AC or Battery Power
Onboard, Wireless, DMX & App Control
CRI 95 | TLCI 96
Fan Cooled
Bowens S Accessory Mount
11 Preset Special Effects
Includes Control Unit & Reflector

2' Tube Length
Color Temperature: 2700 to 6500K
CRI/TLCI: 98/95
 0 to 100% Dimming
RGB Mode with Hue Control
Built-In Li-Ion Battery
2.4 GHz Control
2.2 Hours Run Time at Full Power
Pre-Programmed Special Effects
Can Connect Multiple Lights Together
Nanlink App compatible 

Aluminum Construction
Hinged Connection Points
Folds with Fabric Attached

575w HMI fresnel light by ARRi. Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI True Blue D-Series Fresnels are the preferred choice. ARRI’s elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged True Blue D-Series is ideal for all types of location lighting.

Brighter than any other 2x1 panel, yet lighter than its peers, Gemini 2x1 Hard is a beautiful paradox delivering glorious high quality, powerful bright cinematic lighting in a lightweight agile fixture. Gemini 2x1 Hard can deliver a powerful 20° beam of accurate hard white light, or seamlessly switch to a beautiful soft 100° wash, and at the touch of a button, unleash a world of creativity with full RGBWW output and special effects. 

With dual or quad mounting options to bank fixtures together creating an outstanding 92,000 lux of intense light, Gemini 2x1 Hard is the ultimate production light.

23,000 lux of raw output at 10ft/3m from a 500W panel creates a new world of options. Control and modifywithout compromising on source. Gemini 2x1 Hard shifts from an intense 20° beam to a soft wrap-around lightwith diffusers included in the box, and still offers scope for many more layers.


Covers Full-Frame Sensor Size
PL Mount, Lens Markings in Feet
Supports Cooke /i Technology Metadata
T1.5 to T16 Aperture Range
Geared Focus and Iris Control Rings
Clickless Iris Ring
Suitable for 8K Image Capture
95mm Front Diameter
9-Blade Iris

Lightweight 
Low Profile
12/24 vdc
Perfect for Live TV & running sleds
Carries 1-3 Batteries in Multiple Combinations 
Includes Jumper Block

Tool-Free Clamp Mechanism 
Allows Fine Adjustment of the Gimbal Position
Easy "Drop Time" Sled Adjustments

Your next shoot starts here.

It all starts with a Drop.

My Awesome Commercial

Members

A list for each department.

Camera

Lighting

Sound

Grips

Sigma

85mm T1.5 FF High-Speed Prime

Mount

Sony

FX6

Power

Mount

All the gear you can imagine, literally

Aputure

LS 600d Pro

ARRI

Operator Control Unit OCU-1 Basic Set

Godox

TL 120

SanDisk

64GB Extreme PRO UHS-I

Sigma

18-35mm f/1.8 DC HSM Art

Blackmagic Design

URSA Mini Pro 4.6K

Canon

Canon CN-E 20mm T1.5 L F Cinema Prime Lens (EF Mount)

Canon

Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount)

Canon

Canon CN-E 24mm T1.5 L F Cinema Prime Lens

RED

V-RAPTOR 8K VV

Amaran

F22c

Panasonic

LUMIX GH5

ZEISS

CP.3 135mm T2.1

Nanlite

FS-150

Impact

Saddle Sandbag

Sony

a7S III

Easyrig

Minimax

Arri

T1

SanDisk

128GB Extreme PRO UHS-II SDXC Memory Card

Astera

Titan Tube

Zoom

H1n

Arri

Alexa Mini LF

Atlas Lens Co.

1.6x LF Extender

ZEISS

CP.3 28mm T2.1

Avenger

6 x 6' Modular Fold Away Frame

Avenger

Junior Pipe Clamp with Tommy Bar and Pad

Sigma

85mm T1.5 FF High-Speed Prime

Sony

160GB CFexpress Type A TOUGH Memory Card

Nanlite

Forza 60C

ARRI

RF-EMIP Radio Module 2400 MHz DSSS

Astera

Helios Tube

SanDisk