Mount

Covers Full-Frame Sensor Size
Canon EF mount
Focus Marks in Feet
T1.5 to T16 Aperture Range
Mount Transmits Lens Data
Geared Focus and Iris Control Rings
Clickless Iris Ring
Suitable for 8K Image Capture
95mm Front Diameter
9-Blade Iris

128GB Storage Capacity
UHS-I / V30 / U3 / Class 10
Max Read Speed: 200 MB/s
Max Write Speed: 90 MB/s
Min Write Speed: 30 MB/s
Records Full HD, 3D, and 4K Video
Built-In Write-Protect Switch

Size / Filter Thread

Provides 2 to 8 Stops of Light Control
Rotating Ring to Choose Degree of ND
Eliminates Buying Many ND Filters
Use to Create Blurs/Special Effects
Use with Film or Digital
Wide Outer Ring Reduces Vignetting
Black Aluminum Filter Ring
ColorCore Glass
Made in the USA

Power

- 4K Full-Frame 10.2MP CMOS Exmor R Sensor
- DCI 4K60p | UHD 4K120 | 1080p240
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Compact Form Weighs Just <2 lb
- Phase Detection AF/Face Tracking/Eye AF
- Base 800-12,800 ISO / 320-409,600 Max
- S-Cinetone, S-Log3, HLG Modes
- 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
- Dual CFexpress Type A/SDXC Card Slots

Covers Full-Frame Sensors
16-Blade Iris, T2.8-22 Aperture
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

21mm Lens Covers Full-Frame Sensors
16-Blade Iris, 80mm Front Diameter
PL Mount and EF Mount Included
Cinema Gearing for Focus and Iris
270° Focus Rotation
Magnetic Rear Clear/ND Filter

25mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

75mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter

Detachable Base
Twist-and-Release Locking Legs
40" Riser
22 lb Load Capacity
40" Grip Arm with Attached 2.5" Head
2.5" Grip Head
5/8" Top Stud

Chrome-plated Steel Construction
Leveling Leg
1 Cranking Riser
5/8" Stud and 1 1/8" Receiver

Steel Construction
83" Maximum Extension
Rubber Handle
Counterweight Hook
5/8" Stud and Receiver

Convertible to Boom
4 Sections, 3 Risers
Leveling Leg
7' Max. Boom Extension
Empty Counterweight Bag

Chrome-plated Steel and Aluminum Alloy
One Riser
5/8" Top Stud
33 lb / 15 kg  Load Capacity

Load Capacity: 88.18 lb / 40 kg
Max Height: 137.8"
Min. Height: 66.14"
Folded Length: 55.9"
Weight: 25.35 lb
2 Risers
Mount: 5/8" Male and 1-1/8" Female

Black Steel Construction
40" Main Section, 2 Risers
Fixed Column to Base
40" Arm, 2.5" Grip Head

2' Length
T12 Compatible
Color Temperature: 2700-12,000K
CRI/TLCI: 98/95, 
Dimmable
RGB Mode w/ Hue and Saturation Control
Built-In Rechargeable Li-Ion Battery
Runtime: 96 Minutes at Full Power
DMX Compatible, 18 Special FX

Ability to open wide and hold a lot. 
It works on pipe diameters of 0.59 -3.1 inches. 
Locking screw as well as 16 and 17 mm studs.

Aluminum Alloy Construction
Five Tubes Per Side

Aluminum Alloy and Steel Construction
66 lb (30 kg) Capacity

Cordura Nylon
Rugged and Durable Assembly
Double-Zipper Design
Water and Weather Resistant

Panel Surface Area: 25.4 x 11.8"
115° Beam Spread, Rail Mount Adapter
Color Temperature from 2800-10,000K
Full Gamut Color Mixing
Hue and Saturation Control
Full Minus to Full Plusgreen
CRI: 95, TLCI: 90
0-100% Dimming, DMX Control
Multi-Voltage AC, Optional Battery Power

Color Temp: 2700 to 6500K
 CRI/TLCI: 96
Wireless DMX, Bluetooth Control
Multi-Voltage Power, Optional Batteries
4 Dimming Modes
 Wireless Remote
9 Built-In Lighting Effects

Accessories

Beam Angle: 105°
Color Temperature: 2700-6500K
CRI: 96, TLCI: 96, CQS: 95
DMX, Bluetooth, 2.4 GHz Wireless Remote
0-100% Dimming
Flicker Free
Bowens-S Type Reflector Mount
Multi-Voltage AC, Optional Battery Power

5/8″ Receiver.
2700K-6500K Color Temperature.
0 to 100% Dimming.
Onboard DMX.
CRI/TLCI: 96/98.
Weighs 3.63 kg.
110-240 VAC Power.
Optional V-Mount Battery Power

Location Recording and Filmmaking
32-Bit Float Recording Avoids Clipping
8 x High-Gain, Low-Noise Mic Preamps
Records 8 Inputs & Stereo Mix
Ambisonics, WAV & MP3 Audio Formats
Supports Control via App or F-Control
Flexible Powering Options
Dual SD Card / USB Interface Recording
AutoMix Software Reduces Mix Noise
Precision Time Code Reader/Generator

Wireless Plug-in & Lavalier Microphone Package
UTX-P1 Plug-in Transmitter
UTX-B2 Bodypack Transmitter
Lavalier Microphone
URX-P2 Portable Receiver
Selectable Mic/Line Input
Robust Metal Chassis

Moisture-Resistant for Humid Conditions
Phantom Powered
Simple Operation with No Controls
Transparent Tone with Tight Low End
Ultralow-Noise Circuitry
Ultrahigh Sensitivity Needs Less Gain
Slight Presence Boost & Bass Attenuation
Includes Furry Windshield & Pistol Grip
Compact, Ultralightweight Housing

Measures 10' (3m)
Five Collapsing Sections
Fits NTG1, NTG2 & Video Mic
3/8" Threaded Stud

VEST WEIGHT: 6.9 lbs (3.1 kg)
Increased Comfort Due to Improved Load Distribution
Conforms Anatomically to Its Operator
Greater Choice of Hip and/or Shoulder Load Distribution
Revolutionary Latching System 

WEIGHT:  1.2 lbs (540 g)
SIZE: 5.1"(13cm)x4.7"(12cm)x1.4" (3.5cm)
"Ouick-Lock" Camera Mounting Platform
Absolute Vibration-Free
Fine Adjustment in Two Axis (Self-Retaining)
Comes With A Universal Dovetail Plate
Integrated Bubble Level

Power mount

Modular, Mechanical Camera Stabilizer
Supports up to 110 lb Payload
Hot Swap V-Mount Battery Capability
2 x HD-SDI & 1 x SD-SDI Video Out
17 to 28" Telescoping Center Post
8" Camera Dovetail Plate
12/24V High-Capacity Wiring
Fine-Trim Mechanism
Tool-Free Adjustments
Tally Support, Top-Mounted Voltmeter

High Precision Assembly
Designed Specifically For PRO By Kaydon

Solid Two-Piece Construction
Tool-Less Clamping System 
Increased Stiffness Throughout Extension
Mechanically Indexed Sections
COLLAPSED LENGTH :  17.375 inches  (44.1325 cm)
EXTENDED LENGTH: 27.625 inches (70.1675 cm)

​

Full Sun or Interior Shooting @ 2000 nits
6G/UHD/3G/HD/SD - SDI LCD 
Features Added Regularly
1 Frame Delay or Less
User-Friendly Interface & Direct Access Keys
​

Black Aluminum Alloy Construction
Leveling Leg
Three Risers
5/8" Top Stud

Load Capacity: 33 lb
Aluminum Construction
Jaw Range: 0.51 to 2.17"
1/4"-20 Female Thread, 5/8" Socket

Aluminum Alloy Construction
Load Capacity: 1,102 lb / 500 kg

Aluminum Alloy Construction
Three Tubes Per Side
Pin Tube Connection
Ear Type 2 Frame Support

Add-ons

- Vario 5 Body-Worn Support System
- Gimbal Rig Vest
- 5" Extended Arm
- FLOWCINE Serene Spring Arm
- 11 (5kg) to 38 (17kg) lb Payload
- Takes Weight Off Back, Neck & Shoulders
- Stabilizes Shots
- Reduced Arm Fatigue
- Includes Carrying Bag

Full-Frame Format
Aperture Range: f/1.4 to f/16
One FLD Element, Four SLD Elements
Two Aspherical Elements
Floating Elements System
Super Multi-Layer Coating
Hyper Sonic AF Motor, Manual Override
Rounded 9-Blade Diaphragm
Compatible with Sigma USB Dock

The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.

The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

Full-Frame Format | f/2.8 to f/22
Stepping AF Motor
Internal Focus and Zoom Design
Weather-Sealed Construction
Rounded 9-Blade Diaphragm

24MP Full-Frame Stacked BSI CMOS Sensor
Dual Pixel CMOS AF II, Eye Control AF
6K60 Raw and 4K120 10-Bit Internal Video
30 fps E. Shutter, 12 fps Mech. Shutter
5.76m-Dot EVF with 120 fps Refresh Rate
3.2" 4.2m-Dot Vari-Angle Touchscreen LCD
Sensor-Shift 5-Axis Image Stabilization
Multi-Function Shoe, Built-In Vert. Grip
CFexpress & SD UHS-II Memory Card Slots
Wired LAN and 5 GHz Wi-Fi Support

Zenmuse X9-6K Up to 6K60 | 800/5000 Dual ISO
Zenmuse X9-8K Up to 8K75 | 800/4000 Dual ISO
Camera Gimbal Combo
Z-Axis Camera/3-Axis Gimbal Stabilizing
ProRes 422 HQ Video up to 6K60
Right Focus/Control, Left Pan/Tilt Grips
5.5" 1000 cd/m² Touchscreen Display
LiDAR Range Finder/Focus Module
TB50 Intelligent Battery, Mount, Charger
Carbon Fiber, Aluminum Magnesium Alloy
Cables, Tools & Carrying Case

22.7" RGB Tube
Variable White Light: 1750 to 20,000K
CRI/TLCI Ratings: 96/96
RGB, Mint, Amber, HSI Color Control

Super-35mm CMOS Sensor
4608 x 2592 Video up to 60p
Compressed Raw Recording
Ready-to-Edit ProRes 444 + 422 Recording
Dual CFast 2.0 Memory Card Slots
12G-SDI Output, Timecode & REF Input
1080p Flip-Out Screen
Touchscreen Interface
2 x XLR Audio Inputs with Phantom Power
Magnesium Alloy Body

High CRI Rating
9 Light Effects, 2700-6500K CCT
Stepless Dimming, Quiet Fan Cooling
Built-In Cooling Fan
Bowens Mount for Accessories
Local and App Control
XLR Power Input Port

128GB Storage Capacity
Max Read Speed: 1700 MB/s
Max Write Speed: 1200 MB/s
Records Raw 4K Video

45.7MP FX-Format Stacked CMOS Sensor
EXPEED 7 Image Processor
8.3K 60p N-RAW, 4.1K 60p ProRes RAW
8K30p and 4K120p Video, 10-Bit Internal
Up to 20 fps Raw, 30 fps JPEG Shooting
493-Point AF, AI-Based Subject Detection
Blackout-Free Real Live Viewfinder
3.2" 4-Axis Tilting Touchscreen LCD
Vertical Grip, 2x CFexpress Type B Slots
5 GHz Wi-Fi, Bluetooth, and GNSS

For Atlas Orion PL Anamorphic Lenses
PL Lens to PL-Mount Camera
Increases Coverage to Large Format
Increases Focal Length by 1.6x
1.3-Stop Light Loss
Rear Element Clearance Gauge

EF-Mount Lens/APS-C Format
28.8-56mm (35mm Equivalent)
Aperture Range: f/1.8 to f/16
Five SLD Elements
Four Aspherical Elements
Super Multi-Layer Coating
Hyper Sonic Motor AF System
Rounded 9-Blade Diaphragm

- Live/Location Recording & Podcasting
- Swappable X/Y Stereo Mic Capsule
- 4 x XLR-1/4" Mic/Line Inputs with Pads
- Fast, User-Friendly Operability
- Records in WAV up to 96 kHz
- 3.5mm Line & Headphone Outputs
- Onboard Compressor & Low-Cut Filter
- Powered via Batteries, AC, or USB
- Supports SDXC Cards up to 128GB
- Stereo Safety Track Recording

EF-Mount Lens/APS-C Format
80-160mm (35mm Equivalent)
Aperture Range: f/1.8 to f/16
Four SLD Elements, Three FLD Elements
One High-Refractive Index Element
Super Multi-Layer Coating
Hyper Sonic Motor AF System
Fixed, Rotating Tripod Collar
Rounded 9-Blade Diaphragm

For Video Production and Vlogging
Output: 34,300 Lux at 3.3' w/ Reflector
2700-6500K CCT
AC Power or Optional Battery Station
Onboard & App Control
CRI 95 | TLCI 95 | CQS 92 | SSI 86
Active Cooling
Bowens S Accessory Mount
9 Preset Special Effects
Includes Reflector, Power Supply & Cable

The Canon CN-E 35mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers full-frame and Super 35 sensor formats.

The lens offers a maximum aperture of T1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

Covers Full-Frame Format
T2.9 to T22 Aperture Range
Geared Focus and Iris Control Rings
Clickless Iris Ring
14-Blade Iris
Classic Zeiss Image Rendering
Improved Ergonomics Over Last-Gen CP.2
New Lens Coatings for Enhanced Contrast

24mm Lens
84.1° FOV, Full-Frame Coverage
Multi-Layer Coating to Reduce Flare
Standard Gearing for Focus and Iris
Dual Side Focus and T-Stop Scales
"De-Clicked" Aperture Ring
Hybrid Aspherical Lenses
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Accepts 77mm Threaded Filter Rings

- 6K Full-Frame Exmor R CMOS Sensor
- 15 Stops of Dynamic Range, Dynamic HDR
- DCI 4K and UHD 4K up to 60p
- Quad Full HD 120p Raw with XDCA-FX9 Unit
- HD Recording up to 150/180 fps
- Sony E-Mount
- 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
- Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
- Dual Base ISO up to 102,400, HLG Mode
- 12G/6G/3G-SDI & HDMI Output up to 4K
- Recording to XQD Cards

50Wh Lithium-Ion V-Mount Battery
Supports up to 8A Continuous Draw
LCD Status Screen
14.8V D-Tap Output
USB Type-A Outputs
USB Type-C Input/Output
Micro-USB Input
Ultra-Compact, Travel-Friendly Size

28" 3840 x 2160 10-Bit IPS LCD
Supports NTSC/PAL, HD, and UHD 4K
HDMI, SDI, DVI, and VGA Inputs
178° H/V Viewing Angle
Built-In Monitoring Tools
On-Screen Markers and Focus Peaking
Built-In V-Mount Plate
Hard Case Enclosure
XLR 4-Pin 12-24 VDC Power Input

Introducing the amaran F22c, a high-output, full-colour flexible LED mat that offers superb performance and versatility for a variety of users — from filmmakers to videographers, content creators, and even photographers. 

With 200W of output power, this ultra-lightweight 2'x2' fixture is capable of outputting 6,420+ lux at 1 meter (5600K),surpassing anything else in its class. Install the included foldable softbox and instantly turn this flexible mat into an ultra-thin soft light that will make any subject shine with stellar CRI and TLCI scores of 95+and 97+. 

And with stepless dimming from 0 to 100%, you can achieve the perfect light level every time. The F22c features RGBWW LEDs for complete colour control, as well as tunable CCT from 2,500K to 7,500K, providing endless possibilities for creative lighting decisions through 360° HSI control, 46 colour gel presets, or even up to 15 unique lighting effects. Additionally, with the F22c’s Sidus Link app control, you can be sure to always dial in your lighting design.

40mm Lens Covers Full-Frame Sensors
16-Blade Iris, 80mm Front Diameter
PL Mount and EF Mount Included
Cinema Gearing for Focus and Iris
270° Focus Rotation
Magnetic Rear Clear/ND Filter

Reduces Subject Blemishes and Wrinkles
Maintains Overall Sharpness
Softens Highlights and Mid-Tones
Reduces Glare

256GB Storage Capacity
Max Read Speed: 1700 MB/s
Max Write Speed: 1200 MB/s
Records Raw 4K Video
Compatible with Select XQD Devices

A member of the ARRI M-Series, the M40 is a lens-less system that unifies the advantages of Fresnel and PAR fixtures. The unit is open face and thus very bright: around 30 % brighter than an AS40 in spot. Due to its unique, patented MAX Technology reflector, it is also focusable over a range of 18 to 52° Half Peak Angle. The M40 gives a remarkably even beam spread that casts crisp shadows over the whole focus range. The reflector characteristics is optimised for 4,000 W lamps, but can also be used with 2,500 W lamps.

23MP GP2 Chip with Improved Performance
5.3K60/4K120/2.7K240 Video, 23MP Photos
New Front Display/Rear Touchscreen
Cloud Connected, 1080p Live Streaming
Enhanced Low-Light Performance
HyperSmooth 4.0 Image Stabilization
33' Waterproof without a Housing
Time-Lapse & Night-Lapse, 8x Slo-Mo
Built-In Flip-Out 2-Prong Mount
1720mAh Capacity Battery

- Built-In White-Coded RF Module
- Eliminates Need for Separate Receiver
- Motor Unit Only
- Requires Gear, Cable, & Bracket
- 14 Radio Channels
- Adjusts Lens Focus, Iris, or Zoom
- Power & Run/Stop via CAM Connector
- Daisy-Chains with Classic cforce Motors
- Daisy-Chains with LBUS Devices
- Compatible with WCU-4 Hand Unit

Comparable to 1600W HMI
Junior Pin only
5600K Daylight CCT
Optimized output with 3 Hyper Reflectors: Narrow (15°), Medium (30°), Wide (45°)
CRI and TLCI ≥95, CQS≥96
Weather Resistant: dust and water resistant
Stepless Brightness Control: 0.1-100%
Frequency selection to reduce flicker



24.2MP Full-Frame CMOS Sensor
UHD 4K60 Video,10-Bit Internal Recording
V-Log, HDR, and Dual Native ISO
2.36m-Dot 0.74x-Magnification OLED LVF
3.0" 1.84m-Dot Free-Angle Touchscreen
Contrast-Detect 225-Area DFD AF System
5-Axis Sensor-Shift Image Stabilization
ISO 100-51200, up to 7 fps Shooting
96MP High-Res Mode, Dual SD Card Slots

The lightweight INDIE 7 Touchscreen On-Camera Monitor from SmallHD provides professional monitoring in a sharp 7" IPS LCD with 1920 x 1200 resolution, 10-bit color processing, 1000 cd/m² brightness, 1000:1 contrast ratio, touchscreen control, and updated SmallHD PageOS 4 firmware. It features HDMI and 3G-SDI inputs and outputs, and it supports up to UHD 4K video input via HDMI.

Brightness, flexibility, and control are key to the design of the professional Nova P600c RGB LED Light Panel from Aputure. This updated 2x1 LED soft light panel provides twice the brightness of the P300c with twice the number of light engines, producing a massive 17,520 lux at 3.3' in 5600K CCT mode. It also features 19 lighting effects and a new control box with wired support for DMX512 and wireless support for LumenRadio CRMX and the Sidus Link smartphone app.

The Nova 600c provides the same professional features as the P300c such as an expansive color temperature of 2000 to 10,000K, an impressive CRI/TLCI rating of 95+, plus/minus green control, dimming from 0.1 to 100% without flicker or color shift, and HSI mode that allows you to adjust the hue, saturation, and intensity giving you access to millions of custom colors. It also features a 300+ industry-standard gel library for even greater chromatic control. Its 19 special effects include cop car, lightning, paparazzi, candle, and fire. It also features a removable diffusion panel, maximum and constant output modes, and four user-programmable presets.

All of the adjustments can be made locally on the unit or remotely via the extendable control box, thanks to the P600c's built-in DMX512 support, wireless CRMX, or with wireless control of all aspects of the light from a smartphone using the Sidus Link app. The P600c is ready for worldwide use, thanks to its 100 to 240 VAC power supply but it can also run on batteries when AC power is unavailable. It can mount onto a Junior pin using its built-in, rotating yoke.

33MP Full-Frame Exmor R CMOS Sensor
Up to 10 fps Shooting, ISO 100-51200
4K 60p Video in 10-Bit, S-Cinetone
3.68m-Dot EVF with 120 fps Refresh Rate
3" 1.03m-Dot Vari-Angle Touchscreen LCD
759-Pt. Fast Hybrid AF, Real-time Eye AF
Focus Breathing Compensation
5-Axis SteadyShot Image Stabilization
Creative Looks and Soft Skin Effect
4K 15p UVC/UAC Streaming via USB Type-

2.2-Foot Diameter, Bowens Mount
Absorbs 1 Stop, 270° Beam Spread
Comes w/ Skirt to Control Light Radius
Use on LED or Strobe Lights
Sets up in Seconds, Carry Case

The M18 is an 1,800 W open face lamphead, combining the Academy Scientific and Engineering Award-winning lens-less optical technology of the ARRIMAX with the innovative True Blue design. The result is an extremely powerful lamphead, as small as a 1,200W PAR but with a 70 % higher light output. The M-Series M18 fixture is adjustable from 20° to 60° without requiring spreader lenses.

E-Mount Lens/Full-Frame Format
Aperture Range: f/2.8 to f/22
Six FLD Elements, Two SLD Elements
Three Aspherical Elements
Super Multi-Layer & Nano Porous Coatings
Stepping Motor AF System
Dust and Splash Resistant Construction
Rounded 11-Blade Diaphragm
Includes LH878-03 Lens Hood

Full-Frame Format
Aperture Range: f/1.4 to f/16
Five SLD Elements
One Aspherical Element, Four HR Elements
Super Multi-Layer Coating
Stepping Motor AF System
Customizable AFL Button
Physical Aperture Ring; De-Click Switch
Rounded 11-Blade Diaphragm
Weather-Sealed Design

The Dana Dolly Portable Dolly System with 100 & 150mm bowl adapters and original style track ends is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7 rated precision bearings providing you with extremely smooth dolly shots. The wheel trucks swivel, allowing the dolly to ride on available straight or curved track, which you must source separately. The manufacturer recommends using standard speed rail or Schedule 80 aluminum pipe of compatible size. The dolly includes two original style track ends, which accept inch and a quarter pipe (standard speed rail), and fit into available standard Junior stand receivers. A center support is included for long track runs or when using heavy cameras.

The dolly platform is machined from aluminum and features a standard Mitchell mount including a 2.75" center hole with a machined key way. The included 100mm and 150mm bowl adapters allow you to mount fluid heads with standard 100mm or 150mm leveling balls. The platform incorporates one 3/8" through hole, one 1/4"-20 threaded hole, and one 3/8"-16 threaded hole on each side of the dolly platform for a total of 6 accessory mounting holes. The Dana Dolly is designed and manufactured in the USA.

Custom Machined Track Wheels
The key to the Dana Dolly's smooth ride are the 16 custom machined track wheels.
The wheels are custom made soft, then turned down to be round within 1/1000 of an inch to eliminate the "bounce" that normal skateboard wheels suffer from.
You can park the dolly with 100 pounds of camera and accessories on the track at 100° F for an hour without the wheels flat spotting.
Another benefit from the machining the wheels is reduced squeak during use.
The wheels are custom modified 16 at a time on a special machine, providing uniformity.
 

Wheel Trucks
The wheel trucks can swivel on the dolly, which allows it to ride on straight and round track.
A felt washer separates the dolly platform from the wheel trucks, helping to reduce noise.
The included T-Tool features a 1/2, 9/16, and 3/8" ends.
It allows you to tighten the wheel trucks using the 9/16th end to suit your taste.
Mitchell Mount
The Mitchell mount features an elongated key way, allowing you to use non standard adapters.
Track Supports
Track supports fit into available standard Junior stand receivers.

26.1MP APS-C X-Trans Stacked BSI Sensor
4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
Internal ProRes 422 HQ and F-Log 2
7-Stop In-Body Image Stabilization
5.76m-Dot OLED Electronic Viewfinder
3" 1.62m-Dot Vari-Angle Touchscreen LCD
40 fps E. Shutter, 15 fps Mech. Shutter
425-Pt. Hybrid AF, AI Subject Detection
ProRes & Blackmagic RAW via HDMI
CFexpress Type B & SD UHS-II Card Slots

Your next shoot starts here.

It all starts with a Drop.

My Awesome Commercial

Members

A list for each department.

Camera

Lighting

Sound

Grips

Sigma

85mm T1.5 FF High-Speed Prime

Mount

Sony

FX6

Power

Mount

All the gear you can imagine, literally

DZOFilm

VESPID 25mm T2.1

Sigma

35mm f/1.4 DG HSM Art

Canon

Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount)

Sigma

16-28mm f/2.8 DG DN Contemporary Lens (Sony E)

Canon

EOS R3

DJI

Ronin 4D

Astera

Helios Tube

Blackmagic Design

URSA Mini Pro 4.6K

SmallRig

RC 220B

SanDisk

128GB Extreme PRO CFexpress Card Type B

Nikon

Z9

Atlas Lens Co.

1.6x LF Extender

Sigma

18-35mm f/1.8 DC HSM Art

Zoom

H6

Sigma

50-100mm f/1.8 DC HSM Art

amaran

100x

Canon

Canon CN-E 35mm T1.5 L F Cinema Prime Lens

ZEISS

CP.3 15mm T2.9

Rokinon Samyang

24mm T1.5 Cine DS

DZOFilm

VESPID 50mm T2.1

Aputure

LS 600x

SWIT

160Wh V-vmount battery

Sony

FX9

FXlion

NANO ONE 50Wh V-mount

Lilliput

BM280-4K

Amaran

F22c

DZOFilm

VESPID 40mm T2.1

Schneider

Hollywood Black Magic

Avenger

Safety Cable

SanDisk

256GB Extreme PRO CFexpress Card Type B

Arri

M40

GoPro