Mount

Covers Full-Frame Sensor Size
Canon EF mount
Focus Marks in Feet
T1.5 to T16 Aperture Range
Mount Transmits Lens Data
Geared Focus and Iris Control Rings
Clickless Iris Ring
Suitable for 8K Image Capture
95mm Front Diameter
9-Blade Iris

128GB Storage Capacity
UHS-I / V30 / U3 / Class 10
Max Read Speed: 200 MB/s
Max Write Speed: 90 MB/s
Min Write Speed: 30 MB/s
Records Full HD, 3D, and 4K Video
Built-In Write-Protect Switch

Size / Filter Thread

Provides 2 to 8 Stops of Light Control
Rotating Ring to Choose Degree of ND
Eliminates Buying Many ND Filters
Use to Create Blurs/Special Effects
Use with Film or Digital
Wide Outer Ring Reduces Vignetting
Black Aluminum Filter Ring
ColorCore Glass
Made in the USA

Power

- 4K Full-Frame 10.2MP CMOS Exmor R Sensor
- DCI 4K60p | UHD 4K120 | 1080p240
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Compact Form Weighs Just <2 lb
- Phase Detection AF/Face Tracking/Eye AF
- Base 800-12,800 ISO / 320-409,600 Max
- S-Cinetone, S-Log3, HLG Modes
- 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
- Dual CFexpress Type A/SDXC Card Slots

Covers Full-Frame Sensors
16-Blade Iris, T2.8-22 Aperture
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

21mm Lens Covers Full-Frame Sensors
16-Blade Iris, 80mm Front Diameter
PL Mount and EF Mount Included
Cinema Gearing for Focus and Iris
270° Focus Rotation
Magnetic Rear Clear/ND Filter

25mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter
Magnetic Rear Clear/ND Filter

75mm Lens Covers Full-Frame Sensors
16-Blade Iris
Cinema Gearing for Focus and Iris
270° Focus Rotation
80mm Front Diameter

Detachable Base
Twist-and-Release Locking Legs
40" Riser
22 lb Load Capacity
40" Grip Arm with Attached 2.5" Head
2.5" Grip Head
5/8" Top Stud

Chrome-plated Steel Construction
Leveling Leg
1 Cranking Riser
5/8" Stud and 1 1/8" Receiver

Steel Construction
83" Maximum Extension
Rubber Handle
Counterweight Hook
5/8" Stud and Receiver

Convertible to Boom
4 Sections, 3 Risers
Leveling Leg
7' Max. Boom Extension
Empty Counterweight Bag

Chrome-plated Steel and Aluminum Alloy
One Riser
5/8" Top Stud
33 lb / 15 kg  Load Capacity

Load Capacity: 88.18 lb / 40 kg
Max Height: 137.8"
Min. Height: 66.14"
Folded Length: 55.9"
Weight: 25.35 lb
2 Risers
Mount: 5/8" Male and 1-1/8" Female

Black Steel Construction
40" Main Section, 2 Risers
Fixed Column to Base
40" Arm, 2.5" Grip Head

2' Length
T12 Compatible
Color Temperature: 2700-12,000K
CRI/TLCI: 98/95, 
Dimmable
RGB Mode w/ Hue and Saturation Control
Built-In Rechargeable Li-Ion Battery
Runtime: 96 Minutes at Full Power
DMX Compatible, 18 Special FX

Ability to open wide and hold a lot. 
It works on pipe diameters of 0.59 -3.1 inches. 
Locking screw as well as 16 and 17 mm studs.

Aluminum Alloy Construction
Five Tubes Per Side

Aluminum Alloy and Steel Construction
66 lb (30 kg) Capacity

Cordura Nylon
Rugged and Durable Assembly
Double-Zipper Design
Water and Weather Resistant

Panel Surface Area: 25.4 x 11.8"
115° Beam Spread, Rail Mount Adapter
Color Temperature from 2800-10,000K
Full Gamut Color Mixing
Hue and Saturation Control
Full Minus to Full Plusgreen
CRI: 95, TLCI: 90
0-100% Dimming, DMX Control
Multi-Voltage AC, Optional Battery Power

Color Temp: 2700 to 6500K
 CRI/TLCI: 96
Wireless DMX, Bluetooth Control
Multi-Voltage Power, Optional Batteries
4 Dimming Modes
 Wireless Remote
9 Built-In Lighting Effects

Accessories

Beam Angle: 105°
Color Temperature: 2700-6500K
CRI: 96, TLCI: 96, CQS: 95
DMX, Bluetooth, 2.4 GHz Wireless Remote
0-100% Dimming
Flicker Free
Bowens-S Type Reflector Mount
Multi-Voltage AC, Optional Battery Power

5/8″ Receiver.
2700K-6500K Color Temperature.
0 to 100% Dimming.
Onboard DMX.
CRI/TLCI: 96/98.
Weighs 3.63 kg.
110-240 VAC Power.
Optional V-Mount Battery Power

Location Recording and Filmmaking
32-Bit Float Recording Avoids Clipping
8 x High-Gain, Low-Noise Mic Preamps
Records 8 Inputs & Stereo Mix
Ambisonics, WAV & MP3 Audio Formats
Supports Control via App or F-Control
Flexible Powering Options
Dual SD Card / USB Interface Recording
AutoMix Software Reduces Mix Noise
Precision Time Code Reader/Generator

Wireless Plug-in & Lavalier Microphone Package
UTX-P1 Plug-in Transmitter
UTX-B2 Bodypack Transmitter
Lavalier Microphone
URX-P2 Portable Receiver
Selectable Mic/Line Input
Robust Metal Chassis

Moisture-Resistant for Humid Conditions
Phantom Powered
Simple Operation with No Controls
Transparent Tone with Tight Low End
Ultralow-Noise Circuitry
Ultrahigh Sensitivity Needs Less Gain
Slight Presence Boost & Bass Attenuation
Includes Furry Windshield & Pistol Grip
Compact, Ultralightweight Housing

Measures 10' (3m)
Five Collapsing Sections
Fits NTG1, NTG2 & Video Mic
3/8" Threaded Stud

VEST WEIGHT: 6.9 lbs (3.1 kg)
Increased Comfort Due to Improved Load Distribution
Conforms Anatomically to Its Operator
Greater Choice of Hip and/or Shoulder Load Distribution
Revolutionary Latching System 

WEIGHT:  1.2 lbs (540 g)
SIZE: 5.1"(13cm)x4.7"(12cm)x1.4" (3.5cm)
"Ouick-Lock" Camera Mounting Platform
Absolute Vibration-Free
Fine Adjustment in Two Axis (Self-Retaining)
Comes With A Universal Dovetail Plate
Integrated Bubble Level

Power mount

Modular, Mechanical Camera Stabilizer
Supports up to 110 lb Payload
Hot Swap V-Mount Battery Capability
2 x HD-SDI & 1 x SD-SDI Video Out
17 to 28" Telescoping Center Post
8" Camera Dovetail Plate
12/24V High-Capacity Wiring
Fine-Trim Mechanism
Tool-Free Adjustments
Tally Support, Top-Mounted Voltmeter

High Precision Assembly
Designed Specifically For PRO By Kaydon

Solid Two-Piece Construction
Tool-Less Clamping System 
Increased Stiffness Throughout Extension
Mechanically Indexed Sections
COLLAPSED LENGTH :  17.375 inches  (44.1325 cm)
EXTENDED LENGTH: 27.625 inches (70.1675 cm)

​

Full Sun or Interior Shooting @ 2000 nits
6G/UHD/3G/HD/SD - SDI LCD 
Features Added Regularly
1 Frame Delay or Less
User-Friendly Interface & Direct Access Keys
​

Black Aluminum Alloy Construction
Leveling Leg
Three Risers
5/8" Top Stud

Load Capacity: 33 lb
Aluminum Construction
Jaw Range: 0.51 to 2.17"
1/4"-20 Female Thread, 5/8" Socket

Aluminum Alloy Construction
Load Capacity: 1,102 lb / 500 kg

Aluminum Alloy Construction
Three Tubes Per Side
Pin Tube Connection
Ear Type 2 Frame Support

Add-ons

- Vario 5 Body-Worn Support System
- Gimbal Rig Vest
- 5" Extended Arm
- FLOWCINE Serene Spring Arm
- 11 (5kg) to 38 (17kg) lb Payload
- Takes Weight Off Back, Neck & Shoulders
- Stabilizes Shots
- Reduced Arm Fatigue
- Includes Carrying Bag

Full-Frame CMOS Sensor, DIG!C DV 7 Chip
Full-Frame, Super 35, and Super 16 Modes
DCI 4K/2K, UHD 4K, and HD Modes
User-Changeable Lens Mounts
Dual Pixel CMOS AF
Internal Canon RAW Light Recording
Internal XF-AVC Recording
2 x CFexpress Card Slots, SD Card Slot
Canon Log 2 and Log 3 Gamma
4-Channel Audio Recording

Bright 1500 cd/m² Tilting HDR LCD
Super35 HDR Sensor, Gen 5 Color Science
Dual XLR Inputs, Canon Active EF Mount
NP-F570 Battery, Built-In ND Filters
Record 6K 6144 x 3456 up to 50 fps
Dual Native 400 & 3200 ISO to 25,600
CFast 2.0 & SD/UHS-II Card Slots
Record up to 120 fps Windowed HD
USB Type-C Recording, 3D LUT Support
13-Stop Dynamic Range, Autofocus Support

Full-Frame Format | f/2.8 to f/22
Stepping AF Motor
Internal Focus and Zoom Design
Weather-Sealed Construction
Rounded 9-Blade Diaphragm

Type: Over-ear, closed-back headphones

Impedance: 250 ohms

Driver Type: Dynamic

Frequency Response: 5 Hz – 35,000 Hz

Sound Pressure Level (SPL): 96 dB

Total Harmonic Distortion (THD): <0.2%

Cable Length: 3 meters (coiled)

Connector Type: 1/4" (6.3mm) stereo jack

Weight: 270g (without cable)

Ear Pads: Soft, replaceable ear cushions for comfort and noise isolation

Application: Ideal for professional studio use, mixing, and mastering

Additional Features:

    High-quality sound reproduction with powerful bass

    Excellent noise isolation for critical listening

    Rugged and durable design for long-lasting performance

Released : August 2019
Sensor : Super 35 mm (23.1x12.99 mm)
Lens Mount : EF
Base Sensitivity : 400 ISO & 3200 ISO (Dual Native)
Weight : 900 g
Dimensions : 101 mm x 96 mm x 178 mm

The M90 closes the gap between M40 and ARRIMAX 18/12, which sits almost exactly in the middle between the two. The unit is focusable from 15° up to 49° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow.
The elimination of spread lenses speeds up the workflow on set.

The 9,000 W lamp is very similar in size to the 6,000 W lamp, which makes the MAX Technology reflector function perfectly at both wattages. The superior housing and cooling concept have made a very compact design close to the dimensions of the ARRISUN 60.

- Controls Up to 3 x Lens Motors
- For ARRI & 3rd-Party Cameras
- Records Lens Data with Timecode
- Wireless Lens-File Transfer
- Full AMIRA/ALEXA Playback Control
- Select User Setups from AMIRA/ALEXA
- PLAY/ERASE Display from AMIRA/ALEXA
- Set/Show Gear-Teeth Count Mode
- Use with CLM-3/4/5 Motors
- Controls Focus / Iris / Zoom Functions

For Video Production and Vlogging
Output: 37,775 Lux at 3.3' w/ Reflector
2700-6500K CCT
AC or Battery Power
Onboard & App Control
CRI 96 | TLCI 96 | CQS 95 | TM-30 95
Active Cooling
Bowens S Accessory Mount
9 Preset Special Effects
Includes Reflector, Power Supply & Bag

Type: 3-Axis Gimbal Stabilizer

Payload Capacity: 4.5 kg (10 lbs)

Compatible Cameras: DSLRs, mirrorless, and cine cameras (such as Sony, Canon, Nikon, Panasonic)

Battery Life: Up to 12 hours (depending on payload and usage)

Motor Strength: Upgraded high-torque motors for stronger stability

Display: 1.8-inch full-color touchscreen

Stabilization: 3-axis (tilt, pan, roll)

Connectivity: Bluetooth 5.0, USB-C, and multiple mounting options

Control: Wireless control via DJI Ronin app, joystick, or focus wheel (optional)

Mounting: Quick-release plate for fast camera mounting and balancing

Weight: Approx. 1.3 kg (2.87 lbs)

Intelligent Modes: ActiveTrack 5.0, Panorama, Timelapse, and more

Additional Features:

    DJI's Titan stabilization algorithm for smooth footage

    Multiple shooting modes (Sport Mode, FPV Mode, etc.)

    USB-C charging port

    External power supply for longer shooting sessions

    Advanced focus control options

2 Baby 5/8" Studs
0.98 to 2.55" Adjustment Range

75mm Anamorphic MFT Mount Lens
f/1.8 Maximum Aperture, 13-Blade Iris
Aluminum Lens for APS-C/MFT Sensors
2.4:1 Aspect Ratio; 13-Blade Iris
1.33x Cinematic Anamorphic Squeeze
Schott Glass with Nano Coatings
Distance Markings in Feet and Meters
Horizontal Blue Streaks, Oval Bokeh
Manual Focus, M67 Filter Size

The Canon CN-E 20mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round, out-of-focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.

RGB 
Lumens: 520 (at 5600K)
CRI 95 TLCI 97
Dimming 0 to 100%
Flood: 10.0 x 1.5 x 1.5" / 25.4 x 3.8 x 3.8 cm
Fixture Weight  9.6 oz / 272 g
Magnetic Mounting
Nanlink App compatible

4.6K Super35 ARRI ALEV 4 CMOS Sensor
Up to 4.6K 4608 x 3164, Cine License
LPL Mount (LBUS) & PL-to-LPL Adapter
MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
17 Stops of Dynamic Range
BUD-1 Balance Utility Dovetail
Motorized ND Filters, Compact Design
B-Mount Battery Adapter

The Canon CN-E 135mm T2.2 L F Cinema Prime Lens is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.

Covers Super 35mm Sensors
28.4mm Image Circle
Internal Focus Design
180° Focus Barrel Rotation
T2 Max Aperture, Clickless 9-Bladed Iris
Weighs 3.19 Pounds
95mm Front Lens Diameter
Removable Lens Support Foot

A versatile one-lens solution for many shooting situations, the EF 24-105mm f/4L IS USM Lens is a Canon L-series zoom spanning a useful wide-angle to short-telephoto range and featuring a constant f/4 maximum aperture. Complementing the flexible design is an advanced optical layout that includes one Super UD element, which reduces color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

32GB Storage Capacity
UHS-I / V30 / U3 / Class 10
Max Read Speed: 100 MB/s
Max Write Speed: 90 MB/s
Min Write Speed: 30 MB/s
Records Full HD, 3D, and 4K Video
Built-In Write-Protect Switch

Chrome-plated Steel and Aluminum Alloy
Locking Wheels
3 Risers
5/8" Stud

Reduces Highlights and Lowers Contrast
Softens Wrinkles and Blemishes
Creates a Soft Quality of Light
ColorCore Technology

Covers Super 35 Format
Interchangeable EF/PL Mount
T2 to T16 Aperture Range
0.8-MOD Focus and Aperture Gearing
14-Blade Iris
Streak Effects
3.6' Minimum Focus Distance
114mm Front Diameter
Focus Marks in Feet
Weighs 6.6 Pounds

Super 16 CCD Sensor with Global Shutter
Color Sensor with 12 Stops Dynamic Range
Up to 2048 x 1152 Resolution
12-Bit Adobe Cinema DNG (RAW)
23.98/24/25 FPS, 24-Bit Audio 48/96 kHz
HDMI, USB 3.0, 1/8" Video Out Jack
Dual 3-Pin XLR Inputs with Phantom Power
Dual CF Card Slots
Internal 512GB Enterprise-Class SSD
Internal Battery

Film/Video Light & Battery Grip
Output: 12,810 Lux at 3.3' w/ Reflector
1800-20,000K; Full RGB Color Control
AC or Battery Power
Onboard, Wireless, DMX & App Control
CRI 96 | TLCI 95
Fan Cooled
FM Mount
15 Preset Special Effects
Includes Bowens Adapter, Reflector & Bag

E-Mount Lens/Full-Frame Format
Aperture Range: f/1.4 to f/16
Three SLD Elements
One Aspherical Element
Super Multi-Layer Coating
Hyper Sonic AF Motor, Manual Override
Rounded 9-Blade Diaphragm
TSC Material, Brass Bayonet Mount

The M8 is the latest and smallest lighting fixture in ARRI’s highly successful M-Series of HMI lampheads. Like the rest of the M-Series, the M8 is equipped with MAX Technology, a unique, patented reflector design that unifies the advantages of a Fresnel and a PAR fixture.

The combination of an open face design and the unrivalled efficiency of the MAX Technology reflector makes the M8 exceptionally bright; in fact, the light output produced by its 800 W lamp comes close to the output from a 1,200 W Fresnel or PAR (with lens). The unit can be focused between 15° and 60° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow. By eliminating the need for bulky, easily breakable spread lenses, the M8 will speed up workflows on set. 

25.2MP Live MOS Micro Four Thirds Sensor
4K 60p 4:2:2 10-Bit Unlimited Recording
5.7K 60p, 4K 120p HFR, FHD 300p VFR
ProRes 422 HQ, V-Log and DR Boost
Dual I.S. 2, 7.5-Stop 5-Axis Stabilizer
100MP Handheld High-Resolution Mode
3.68m-Dot OLED Electronic Viewfinder
3.0" 1.84m-Dot Free Angle Touchscreen
CFexpress Type B & SD UHS-II Card Slots
Built-In Active Cooling

Type: Rechargeable Lithium-ion battery

Compatibility: Canon EOS R series, EOS 5D Mark IV, EOS 6D Mark II, EOS 7D Mark II, and other compatible Canon cameras

Battery Voltage: 7.2V

Capacity: 2130mAh

Battery Life: Approximately 2-3 hours of continuous shooting (depending on camera model and usage)

Weight: Approx. 80g (2.8 oz)

Features:

Covers Super 35 Format
Interchangeable EF/PL Mount
T2 to T16 Aperture Range
0.8-MOD Focus and Aperture Gearing
14-Blade Iris
Streak Effects
1.8' Minimum Focus Distance
114mm Front Diameter
Focus Marks in Feet
Weighs 5.3 Pounds

For Studio & Film/TV Production
Output: 68,060 Lux at 3.3' (5600K)
2700-6500K CCT, Green-Magenta Adjustment
AC or Optional Battery Power
CRI 96, TLCI 97
Onboard, DMX, App Control
12 Special Effects & OLED Screen
Active Cooling, Four Fan Modes
5/8" Receiver & Bowens Mount
Includes Reflector, Control Unit & Bag

40.7" RGB Tube
Variable White Light: 1750 to 20,000K
CRI/TLCI Ratings: 96/96
RGB, Mint, Amber, HSI Color Control
Built-In Rechargeable Li-Ion Battery

Full-Frame CMOS Sensor
Supports UHD 4K and DCI 4K Capture
15+ Stops of Dynamic Range
Supports 6K Capture with License Update
Anamorphic Capture with License Update
Removable PL Mount, Cooke /i Protocol
Sony E-Mount with Electronic Contacts
8 x Integrated ND Filters
Integrated Assistant-Side Info Screen
Dual SxS Card Slots for XAVC or ProRes
AXS-R7 optional for X-OCN RAW 6K60FPS

Comparable to 1600W HMI
Junior Pin only
5600K Daylight CCT
Optimized output with 3 Hyper Reflectors: Narrow (15°), Medium (30°), Wide (45°)
CRI and TLCI ≥95, CQS≥96
Weather Resistant: dust and water resistant
Stepless Brightness Control: 0.1-100%
Frequency selection to reduce flicker



The innovative EOS R camera boasts professional quality for both your still shooting and video project demands. The attributes that contribute to its outstanding quality performance are a full-frame, 30.3 Megapixel CMOS sensor and a Dual Pixel CMOS Autofocus system for rapid, accurate tracking and 4K video recording capabilities.

1x Power Distribution Module PDM-1
1x Low Mode Support LMS-4
1x Center Camera Handle CCH-5
1x Viewfinder Mounting Bracket VMB-5
1x Square Accessory Sleeve SAS-1
1x Articulated Mounting Plate AMP-1
1x Compact Bridge Plate CBP-5 (19mm)
1x Bottom Dovetail Plate 300mm/12in

Live/Location Recording & Podcasting
Swappable Stereo Mic, Built-In Speaker
Dual XLR-1/4" Mic/Line Inputs
Fast, User-Friendly Operability
Records in WAV up to 96 kHz
3.5mm Line & Headphone Outputs
Onboard Compressor & Low-Cut Filter
Powered via Batteries, AC, or USB
Supports SDHC Cards up to 32GB
Stereo Safety Track Recording

Your next shoot starts here.

It all starts with a Drop.

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A list for each department.

Camera

Lighting

Sound

Grips

Sigma

85mm T1.5 FF High-Speed Prime

Mount

Sony

FX6

Power

Mount

All the gear you can imagine, literally

Canon

EOS C500 Mark II

Blackmagic Design

Pocket Cinema Camera 6K Pro

Sigma

16-28mm f/2.8 DG DN Contemporary Lens (Sony E)

Beyerdynamic

dt 770 pro

Avenger

Super Clamp (Black)

Blackmagic Design

Pocket Cinema Camera 6K

Sony

HDR-CX405

Arri

M90

RODE

Boompole

Arri

UMC-4 LDS Universal Motor Controller

amaran

60x

Avenger

Baby Alu Stand 35 with Leveling Leg (Black, 11.5')

DJI

RS4

DZOFilm

VESPID 25mm T2.1

Avenger

Adjustable Gaffer Grip Clamp

Sirui

75mm f/1.8 1.33x Anamorphic

Kino Flo

Kino Flo Tegra 4Bank DMX Fluorescent Light

Canon

Canon CN-E 20mm T1.5 L F Cinema Prime Lens (EF Mount)

Nanlite

PavoTube II 6C

Arri

Alexa 35

Canon

Canon CN-E 135mm T2.2

Sigma

18-35mm T2 High-Speed

Canon

Canon EF 24-105mm f/4L IS USM Lens

SanDisk

32GB Extreme PRO UHS-I

Avenger

Roller Stand 43 with Low Base (Chrome-plated, 14')

Tiffen

Black Pro-Mist

Aputure

LS 600d Pro

Atlas Lens Co.

Orion 100mm T2 2x

Manfrotto

Pixi Mini Tripod

Avenger

Baby Stand with Leveling Leg (Chrome-plated, 3.3')

Digital Bolex

D16

Nanlite